Exceptions abound. The following comments describe my own observations.

Most, but not all, NAsFs (Native American style Flutes) are played by breathing while one’s mouth is placed on or very near the mouthpiece. And five or six fingers cover finger holes at the same time the flute is balanced using some combination of thumbs and fingers.

Factors employed in a flute’s construction can determine how a flute may be played. For instance, back pressure or the resistance to a player’s breath while playing - and tuning – including notes reached using cross-fingering playing techniques, can be used to distinguish one flute (or flute maker) from another. But those are topics for another time.

I’ve noticed certain physical characteristics determine the maximum and minimum sizes of the flutes that can be comfortably played. I’ve also learned many of us, wish we could play a flute one key deeper or higher than we truly find comfortable.

·         Maximum Reach – the distance between the mouthpiece and the finger hole furthest away – typically towards the bore end or south end of the flute.

·         Spread or Span – describes distances between adjacent finger holes with the total being the distance from the uppermost (north or #6) and lowest (south or #1) finger holes.

·         Coverage – clear, non-squeaky notes are played by fully covering each finger hole. Coverage refers to the size of the player’s fingers with respect to the ability to completely cover each hole using the thickest part of the pad at the end of the finger. Not the finger tip held on end in the hole! Larger holes usually require larger fingers or in some cases, advanced techniques to accomplish this requirement.

So … at some point, because one of these flutes is never enough, most people will eventually  discover the largest flute they can comfortably play. Others encounter the smallest flute they can use when they realize they cannot physically compress their fingers close enough together to consistently cover the holes to get the notes they desire.

This is one reason, people who don’t have a lot of playing experience are often counseled to begin playing with 3/4”-bore flutes which often include the keys of Bb (A#), A and G#.

7/8”-bore flutes in the keys of G, F# and F are the next size larger and often can be successfully played by beginners.

When considering a flute purchase, we generally focus on appearance and suitability first. After all, if a flute doesn’t look or sound good to us, why should there be any further interest? Oh, I get it. Collectors may be interested in the flute maker or in having a particular key or even in owning a flute with specific decorative elements. All of those reasons are perfectly justifiable and acceptable.

But if a flute cannot be comfortably used, it is probably not going to be played very often. Possessing a "wall hanger" is not taken as a complement by most flute makers I know.

I believe the three playing characteristics (reach; spread/span; and, coverage) are easily determined when looking and handling flutes in person. This is a bit harder to do when buying remotely.

While these concepts probably don’t need to be considered too much when looking at mid-range sized flutes (3/4" or 7/8”-bore flutes). Asking about these values when a flute has a 1” or larger bore, might not be a bad idea.

Knowing the location of each finger hole in relation to the distance between the approximate hole center and mouthpiece, can permit the flute's reach to be simulated using a wooden dowel or even a mop or broom handle.

This photograph shows a 1 3/8”-diameter flute tuned to low B. It is sitting next to a dowel marked with pencil and pieces of blue painter’s tape. The finger holes are a reasonably consistent 3/8” in diameter. The full span is 197 mm or approximately 7.8” from top to bottom finger holes.

Think you could play this flute?

I am suggesting it is better to be informed before making a buying decision than it is to be surprised when a flute that has already been paid for is delivered.

Flute making and leather work are heart-felt activities. I usually have an inventory of completed flutes. Commissioned assignments are always welcome.

Creation of a custom flute or flute bag should involve elements of your own vision and ideas.
I stand behind my work. Any problems associated with my workmanship, will be resolved to the best of my ability.

If displeased with a new flute or bag for any reason, contact me right away. Return it in original condition within two weeks of the purchase date after notifying me of the situation, and I will provide a full refund of the purchase price less shipping costs.

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A customer's privacy is of the utmost importance. Beyond use of information required to process payments, I do not share telephone numbers, credit card information, physical address, email addresses or any other personal information.

Native American style Flutes

Flute prices begin at $119 for a basic, 3/4" bore flute with a simple block using domestic Western Cedar without any decorative frills. A is the most common key I make in this style but I  sometimes offer a Bb (A#) or a B.

A mid-range flute with a 3/4" to 1" bore, decorative mouthpiece (using tenon construction) with a more elaborate bird requiring more time and effort will be priced accordingly. Such flutes often include decorative elements consisting of crushed stone inlay, polished stones (agate or jasper) or wood burned images and are typically priced at $350 or more, depending on the final design and component elements.

Exotic woods, large-bore flutes and more elaborate designs are priced accordingly.

So far, I've made flutes using more than 70 distinct wood species. I have one line for Walnut. Includes: Black Walnut, English Walnut, Claro Walnut, Walnut from different parts of the world and Walnut burl. That's merely one of the list of 70+ species.

I favor native North American woods including Black Walnut, Cherry, Maple, Eastern Red Cedar, Western Cedar and Cypress for flute bodies. I've also used (among others): African White Milkwood, Alaskan Yellow Cedar, Alder, Ancient Kauri, Apple, Ash, Beech, Black & White Ebony, Black Limba, Black Walnut, Blue Mahoe, Box Elder, Buckeye, Butternut, Camphor, Cherry, Cottonwood, Cylon Satinwood, Cypress, Dogwood, Douglas Fir, Dyer Oak Burl, Eastern Red Cedar, Elm, English Walnut, Hickory, Holly, Honduran Mahogany, Honey Locust, Imbuia, Indian Rosewood, Iridescent Laos Pheasant wood, Jacoba (Brazilian Cherry), Kansas Birch, Kentucky Coffeetree, Koa, Liveoak, Locust burl, Macassar Ebony, Mango, Maple, Masur Birch, Mulberry, Myrtle, Olivewood, Padauk, Pecan, Peroba Rosa, Pine, Pistachio, Raintree (Monkeypod), Red Maple, Redwood, Brazilian Rosewood, Sapele, Shedua, Sweetgum, Swiss Pear, Sycamore, Tamarind, Tasmanian Blackwood, Teak, Western Cedar, White Cedar, and Zebrawood. Once I even made a bamboo flute! I certainly don't always have these types of wood in stock and cannot necessarily obtain such woods when desired. <smile>
Burls and exotic woods serve as great accent material. I enjoy using combinations of woods offering contrasting colors or textures.

When I started buying Native American style flutes for my personal collection, I thought a bored one-piece flute was superior. Now, with a better understand how these instruments actually work, I'm convinced the advantages of routing individual halves of a flute before gluing them together, are substantial. This approach allows detailed attention to be focused on every interior surface that has anything to do with producing the flute's music. Modern glues, properly applied, are often stronger than the wood itself. This is especially important when the narrow wall thickness of today's Native American style flute is considered.

I most often use Polymerized Tung Oil, various shades of Shellac (Platinum Blonde, Blonde, Orange, Ruby or Maroon - personally prepared using dry flakes and solvent), Sometimes I'll end by using clear acrylic lacquer or some combination of these to finish flutes. A final hand-rubbing process using pumice or rottenstone with rubbing oil, produces a very high quality, long lasting and relatively low maintenance finish.

Pricing for standard, deer hide leather flute bags starts at $275. These bags are usually 25" to 28" long and 6" - 7" wide. They are created using high-quality deer hide. Elk can be used for a bit more than a deer hide bag but is significantly heavier. The bag will have a braided leather strap and a strip of hand-cut fringe with a natural or simulated natural edge line. Deer leather lacing is used to construct each bag. Subject to availability (colors cited above), different color combinations of leather can be used for the bag, fringe, strap and lacing. Decorative elements such as crow beads of various colors, wooden or carved latch string anchors, antler buttons or sections, wood burned images, minimal use of acrylic paint, or some combination of these may be included.

Highly customized and far more elaborately constructed leather bags can created but will be priced accordingly. An example of a high-end bag is currently shown on the flute bag page.

With my approval, within 14 days of the sale of items in still new condition may be returned at the buyer's expense for a nearly full refund. That is, I will refund the original purchase price of an item or items less credit card transaction processing fees and/or shipping costs. As of 04/2023, charge card fees are no longer being refunded by my service provider.

Custom designed flutes and bags are considered final sale items and as such, are not subject to this return policy.

If you are interested in acquiring one of my flutes or leather flute bags, send an e-mail message with a few comments to give me an idea of what you're considering. If I can't help personally, I will make every effort to guide you to another flute maker.

An advance deposit may be required for custom creations. Time to complete the flute or bag depends on project complexity and my schedule. Above all else, I insist on doing work as well as I am able. Such effort takes time.

When the flute or bag has been completed, I will e-mail photos for review and approval prior to final payment. The quoted price will include insured shipping charges and for in-state Florida sales, Florida sales tax. I am able to send PayPal or Square invoices to facilitate credit or debit card payments.

If you have any questions or comments, please contact dan@nLss-flutes.com.